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 This is the record I've worked all my life to get to. You always have to transform, or you can’t continue as an artist, and this record has been the biggest transformation for me. . . It’s better heard than described. . . On this record I really wanted to sing, and that has to come from a naked, emotional place. It's not a record about me crying, or songs about my woes, but I think this record will probably speak to more people in different ways, because of its total human element. . . If I had to do a record review, I’d say it’s got a cannibal, consumption, obsessive, violent-sex, romance angle, but with an upbeat swing to it. . . The album's title [Eat Me, Drink Me] was also inspired by that story several years back of the German man who put out an ad that he wanted to be eaten, and the man who ate him. Although I can't relate to the relationship those two had, I found the story very compelling in a romantic way. I think a lot of people wouldn’t look at it as romantic, but it was to them in some sick way, and it is to me in some sick way, too. — Marilyn Manson, Revolver 01. If I Was Your Vampire 02. Putting Holes In Happiness 03. The Red Carpet Grave 04. They Said That Hell's Not Hot 05. Just a Car Crash Away 06. Heart-Shaped Glasses (When the Heart Guides the Hand) 07. Evidence 08. Are You the Rabbit? 09. Mutilation is the Most Sincere Form of Flattery 10. You and Me and the Devil Makes 3 11. Eat Me, Drink Me |
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